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In July 2005, Karen returned to Ventura to perform in
"Open Secrets" at the Rubicon Theater. This article was
published in the Ventura County Star on July 5, 2006, and is
reprinted with permission.
Lady
of the
houses
From Ventura to Capitol Hill, Karen Grassle has
worked hard to make her
voice heard
By Karen Lindell
klindell@VenturaCountyStar.com
Houses have played big and little parts in Karen
Grassle's life.
The actress starred as frontier mom Caroline Ingalls on
"Little House on the
Prairie," and her father and sister were Realtors.
She also played a key role in a political House.
In the 1970s, she testified before the House and Senate
in Washington, D.C.,
seeking congressional support for victims of domestic
violence.
Grassle is best known for her eight-season TV stint as
Michael Landon's wife
and Melissa Gilbert's "Ma" on "Little House"; the NBC
show, which ended in
1983, still airs in reruns around the world.
But you might not know that Grassle grew up in Ventura --
she graduated as
valedictorian of the Ventura High School Class of 1959 --
and was an advocate
for women's rights long before anyone had heard of a
domestic violence
shelter or cared about glass ceilings.
She's also an accomplished stage actress who spent five
seasons acting with
the Actors Theatre of Louisville in Kentucky, and
co-founded a theater
company in Santa Fe, N.M., where she directed an
all-female production of
"Waiting for Godot."
She's performed at other regional theaters throughout North
America,
currently at the Rubicon Theatre in the Ventura company's
production of
"Open Secrets," featuring world premieres of two plays by
Tony and Emmy
Award winner Dale Wasserman. The show's run ends
Sunday.
Grassle's presence in Ventura has been somewhat of a closed
secret.
Grassle (pronounced GRASS-lee), who now lives in Northern
California, is
staying in town but said that although some former
classmates have come to
see her in "Open Secrets," so far no one has recognized
her outside the
theater.
She's not surprised by the lack of recognition. The last
time she spent a
significant amount of time in Ventura was in the
mid-1960s, when she stayed
with her parents in between training as a Fulbright
Scholar at the London
Academy of Music and Dramatic Art in London and her first
Equity job.
Her family left Ventura 15 years ago, and Grassle, after
living in Los
Angeles, New Mexico and Kentucky, moved to El Cerrito,
Calif., near
Berkeley, about a year and a half ago.
A classic London life
Before donning a bonnet as a frontier mom, Grassle was
steeped in classic
acting at LAMDA, soaking up performances in London by
such legendary actors
as Laurence Olivier, Paul Scofield and Maggie Smith, to
name a few.
"I wanted to prepare myself to do repertory theater and
play many different
kinds of parts and be classically trained," she said.
When she returned to the United States, Grassle had some
success on
Broadway, performing in such plays as "The Gingham Tree,"
"Butterflies Are
Free" and "Sweet Sue." She landed a role in an
independent film in Los
Angeles but, when financing for the movie fell through,
the practical
Grassle started to question whether show business was a
sound career choice.
A graduate of the University of California at Berkeley,
Grassle considered
going back to school to study psychology, but she
couldn't afford the
tuition. Television, which paid a lot of money, seemed
like a good option.
When her agent called about auditioning for "Little
House"in 1973, Grassle
wasn't familiar with the books by Laura Ingalls Wilder on
which the series
was based.
"I didn't even know Michael Landon," she said. "When they
told me Michael
Landon was directing and he was the guy from 'Bonanza,' I
said, 'Which one?'
I was not so connected to the TV world."
Something connected during the audition, however: Grassle
beat out more than
45 other actresses for the role.
Grassle fell naturally into the part of Caroline
Ingalls.
"Those books were exactly the kind of books I used to
read," she said,
"books based on real-life stories, and people going
through hard times and
triumphing over difficulties. It was kind of right up my
alley."
Growing up in Ventura
Grassle, who declined to state her age (various
unofficial Web sites list
her birth year as 1942 or 1944), was born in Berkeley but
spent her school
years, from first through 12th grade, in Ventura.
While walking to school each day, she recalled, she
passed the Rubicon
Theatre, though back then the building was a church.
Grassle said she was always acting and dancing in shows
at school and church
and around the community.
At Ventura High she was a member of the Thespian Club and
starred in the
senior class production of Ayn Rand's "Night of January
16th." (Another
noted member of the Class of 1959, Ventura County
Superior Court Judge David
Long, acted in the production as well.)
She served as Associated Student Body vice president
during her senior year.
The caption for her yearbook photo with other ASB leaders
reads: '"This year
our social success was due to the hard work of our Vice
President Karen
Grassle. She's a really capable girl and deserves a lot
of credit."
Judy Van Dyke of Camarillo, 65, owner of Camarillo
Travel, was in Grassle's
high school class. "I remember her long, blond ponytail
and how popular and
smart and pretty she was," Van Dyke said. "I don't think
anyone had a clue
she would be a major star. Lots of people act in high
school but don't go on
to do anything about it."
Grassle, now divorced and single, raised her daughter,
Lily, who's now 21
and living in Los Angeles. Grassle's sister, Janey, and
the rest of her
family left Ventura in 1991 because of a Ventura County
dilemma that hasn't
gone away: the cost of housing.
"My sister was a Realtor and her business wasn't
happening," Grassle said.
"Neither of her sons could afford to buy homes where her
grandchildren would
have a backyard. So they all moved together to Washington
and started
farming."
Grassle attended Ventura High School's 45-year reunion in
2004, Van Dyke
said. "She is so down-to-earth; she spoke to everybody at
the reunion. She
is the same nice person she was in high school."
Nice, but with a spunky, independent streak, too.
Woman helping women
Grassle has long been a proponent of women's rights. "My
mother always
raised us to be independent, to ask questions," she said.
"She didn't admire
a clinging vine and didn't build any expectation that we
should depend on
somebody else to support us."
Grassle "was a woman ahead of her time," said Karyl Lynn
Burns, co-founder
of the Rubicon Theatre.
And a girl ahead of her time.
When she was in eighth grade, Grassle said, her science
class decided to
build a telescope so they could look at the stars.
"They were going to elect a committee to work on the
telescope, and they
were only nominating boys," she said. "I raised my hand
and made a speech
about how girls should be able to participate in this
activity, so I got
myself elected to the committee."
Although "things have changed tremendously" for women,
she said, "there's
still a glass ceiling, and there's a lot of room for
improvement."
Along with playing a beloved TV mom, improving women's lives
has been part
of Grassle's legacy.
During the "Little House" years, Grassle started helping
victims of domestic
violence.
"I didn't know that the problem was as severe as it is,"
Grassle said. "I
had a kind of stereotypical old idea that it was people
without much
education who got too drunk and beat their wives or
kids."
During a promotional tour for "Little House," Grassle was
interviewed by a
woman in Texas who had just completed research on
battered women. At that
time, Grassle said, there were only two domestic violence
shelters in the
U.S.
"She opened my eyes to what was really going on in this
country," Grassle
said. "I asked her to send me her articles. I took them
to a friend, because
we had been looking for a subject to write a movie of the
week about. We set
out to learn everything we could about the issue."
The result was "Battered," a TV movie that aired in
1978.
The fictional drama, which followed three women who were
victims of spousal
violence, starred Grassle, Mike Farrell, LeVar Burton,
Chip Fields and Joan
Blondell.
Farrell, she said, called the movie a "benchmark" for
bringing the issue to
the public.
Grassle went on the road to promote the film, which
included a trip to
Washington, D.C., to meet with members of Congress about
a bill to provide
funding for domestic violence shelters.
"The film eventually was screened on the Hill and I gave
some kind of a talk
afterward, and then it became a training film for certain
police
departments," Grassle said. "Now every town any size has
a shelter. They're
all full, and they all have waiting lists."
Although domestic violence hasn¹t gone away, Grassle
is no longer
politically involved in promoting awareness of the issue.
When she's doing a
play, however, she tries to record a public service
announcement for a local
rape crisis center or domestic violence shelter.
She hasn't yet done such an announcement in Ventura but
"would be glad to,"
she said.
"To tell you the truth, I got kind of burned out talking
about (domestic
violence)," she said. "I had a family and didn¹t
want to dwell in thatdepartment too much. I was a single
mom, and that takes a lot of energy."
Moving on after 'Little House¹
When "Little House" ended, Grassle took time off from
acting to raise her
daughter; eventually she ventured back to theater.
Of "Little House,"she said, "I was so glad when it was
over.
"Eight years playing the same part was not what I had
planned to do," she
said. "Later I realized how lucky I had been to be on
such a sound, healthy
show. I know now I¹m among the luckiest of
actors."
Grassle said she and the other "Little House"actors keep
in touch via
e-mail, including Alison Arngrim, who played Nellie
Olesen, and twins
Lindsay and Sidney Greenbush, who played Carrie Ingalls.
They meet up
periodically when someone wants them to sign autographs
at a public event.
Because of "Little House's" big success (and thanks to
her conservative
saving habits) Grassle has the financial freedom to work
and travel when
and where she wants to.
She ended up in Ventura about a year and a half ago when
another veteran
actress, Michael Learned ("The Waltons"), got sick. At
the time, the Rubicon
was planning to take its award-winning production of
"Driving Miss Daisy,"
with Learned in the title role, on a short tour.
When Learned became ill, "they didn't have much time to
get it together,"
Grassle said. :"I had done 'Driving Miss Daisy,¹ so
they asked if I would
come do it for them. Because it was in Ventura, I was
very attracted to
supporting them."
When Grassle performed in 'Driving Miss Daisy' at the
Manitoba Theatre
Centre in Canada this spring, director Jim O'Neil asked
her if she would be
interested in returning to Ventura for "Open
Secrets."
The second production in Rubicon's three-show Dale
Wasserman Festival, "Open
Secrets" features world premieres of two one-act plays,
"The Stallion Howl"
and "Boy on Blacktop Road."
In "The Stallion Howl," a woman receives a surprise
inheritance from a
wealthy man and refuses to reveal to her husband, a
newspaper editor, the
reason for the gift; Grassle plays a publisher.
In "Boy on Blacktop Road," an investigator questions five
people about the
disappearance of a young boy; Grassle plays a desperate
mother. The
production also stars Gigi Bermingham, David Birney,
Cliff DeYoung and Eric
Lange.
Good theater
Grassle is full of praise for the Rubicon Theatre.
"This is absolutely amazing for Ventura to have a
professional theater that
is so reasonable to go to," she said. "I am so thrilled
for the support they
have received from the community."
O'Neil said Grassle "is very dedicated and sincere and
caring about her
work. We rehearsed for the show in L.A., and we ended up
driving down to
rehearsals half the time together. It was wonderful
talking to her."
Grassle has written several short plays and is trying to
finish her first
full-length drama.
"The leading character I have written for myself. She's
quite old. I figure
by the time I finish it I'll be old enough to play it,"
she said with a
laugh.
Meanwhile, Grassle is "thrilled" to be back in her
hometown.
"After my family left here 15 years ago, I didn't have a
reason to come,"
she said.
She hasn't returned to the house where she grew up,
however.
"I want to knock on the door and ask the people if they
would mind if I
looked around, but I haven't done that yet," she
said.
"It was a very modest house," she added.
If you live in a little house on the Ventura coast, be
ready for a visitor.
Karen Grassle files
Best known for: Playing Caroline Ingalls, aka
"Ma," on "Little House on the
Prairie" from 1974-83. Wrote and starred in "Battered," a
1978 TV movie
about domestic violence.
Also known for: Stage acting. Started her career
on Broadway and has acted
in regional theater since "Little House" ended. Currently
performing in the
Rubicon Theatre¹s "Open Secrets."
Less known for: Advocating for women¹s rights
before Congress in the 1970s
and raising awareness of domestic violence.
Family: Single. Has a daughter, Lily, 21. Sister,
brother-in-law and nephews
live in Washington state.
Hometown girl: Born in Berkeley but spent her
school years in Ventura, where
her father, Gene, was a Realtor. Attended Lincoln,
Sheridan and Cabrillo
schools. Member of the Ventura High School class of
1959.
Post-Ventura education: Graduated from the
University of California at
Berkeley in 1964, then attended the London Academy of
Music and Dramatic Art
on a Fulbright Scholarship.
Ventura haunts in the 1950s: The hills (for
hiking), Fosters Freeze and
Merle¹s Drive-In (for fast food), Main Street (for
car cruising with other
teens).
Ventura haunt in 2006: Saturday downtown farmers
market.
On working with Michael Landon: "Michael was not a
person who was easy to
get close to. He was the boss, the star, the executive
producer, the writer,
the director. I'm sure he had to protect himself because
he had so much
responsibility for the show. He was more comfortable with
the crew and the
children horsing around than he was with the other
actors." Grassle didn't
keep in touch with Landon when the show was over but did
contact him before
he died of pancreatic cancer in 1991. "What a legacy for
television," she
said.
On stage vs. TV acting: "The theater is the
actor's medium. There's nobody
between us and them. We can feel them. Every night you
feel them a little
differently."
The following letter was sent to several newspapers,
including The Star. It tells how Karen helped a fan during
the "Little House" days.
A true star
Re: your June 22 article, " "Open Secrets' has cast
shifting gears."
Following your review on the collective works of Dale
Wasserman, entitled
"Open Secrets," on stage at the Rubicon Theatre in
Ventura, I thought your
readers may be interested to hear how the star of the
show, Karen Grassle,
saved my life in the mid '70s.
I was a troubled teenager living in an abusive home. At
that time, domestic
violence was not as openly discussed as it is today. I
was a big fan of
"Little House on the Prairie." It was the one hour in the
week I could
escape all my troubles and, oh, how I wished I was part
of a loving family
like the Ingalls.
With no one to talk to and almost suicidal, I wrote down
all that was
happening at home and how I was feeling. For some reason
(I do not know why) I mailed the letter to Karen, who played
Caroline in "Little House."
Certain that she was receiving thousands of letters a
week and not really
expecting to hear anything back, I underestimated this
very special lady's
care and compassion, for two weeks later, not only did I
receive a personal
reply from her, but her home address and a plea to keep
in touch.
Over the next lot of months, we exchanged letters -- me
telling Karen what
was happening at home and she advising me how to cope.
Then came the letter
that was to literally save my life. I can only imagine
Karen sensed how
desperate I was because she sent me the address of Erin
Pizzey's office in
London. Erin was one of the first people to set up safe
homes for battered
women in the United Kingdom, a cause I was later to learn
was very close to
Karen's heart. She co-wrote and starred in the movie
"Battered" about the
effects of domestic violence on three couples.
I finally contacted Pizzey's office and was put in touch
with a group here
in Northern Ireland set up to help kids like me. I
received counseling and,
although it was a long, slow and sometimes painful
journey, I survived.
In the meantime, though, I lost touch with Karen. I
married a wonderful man
who restored my faith in the male species and we had two
beautiful children.
My daughter is now 13 and last September was learning in
school about the
different kinds of abuse we humans inflict on each other.
While chatting to
her, I was struck by the realization that, but for the
grace of Karen
Grassle, I would not be here today to tell my story. I
felt so strongly that
I began my quest to track Karen down so I could thank her
from the bottom of
my heart for what she did.
After seven long months, I found out she was appearing in
theater in
Winnipeg, Canada. I wrote to a local paper there. It ran
my story and also
read it to Karen by telephone. I was ecstatic to learn
that she remembered
me. It says a lot for the type of person she is.
I wrote to her at the theater and, a few weeks ago,
received a letter in
which she thanked me for reminding her that sometimes
she's made a
difference! Well, that difference to me was my life.
This one-in-a-million special lady took the time, at the
height of her
popularity, to help me, a teenager living 5,000 miles
away, and I will never
be able to repay her for her kindness.
I just want your readers to know what a "star," in the
true sense of the
word, Karen is and I hope they'll all go along and see
her at the Rubicon
Theatre. She deserves all the luck and love in the world.
If there were more
like her, what a wonderful place this world would be.
Maureen McAlorum
Newtownards, County Down,
Northern Ireland
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